What cities do you work in?
I am based in New Delhi but travel quite a bit, mostly in India on
various commercial and documentary projects, but also elsewhere in
Asia. I've lived in Tel- Aviv, NY and in Paris and feel comfortable
anywhere in the world.

Your Photography Style
I'm a commercial-documentary photographer. My tools are the tools of a
documentary photographer but I cater to commercial clients with a
photojournalistic approach to their projects. Weddings are not my main
subject but I fell in love with it during the year I was working on
the 'Shaadi Galore' wedding book in India. I feel that my images of
Indian weddings show a very new approach to this fantastic phenomenon.
As a photojournalist I let the images arise naturally and
spontaneously and the subjects are not given any direction on what to
do. I try to interact with the subject as little as possible and
capture my images in such a way as to tell the viewer what was really
going on without the need for any words to explain the situation. So
for example, instead of yelling, "Hey you, look over here and smile!"
I would be trying to watch your interaction with your guests while
positioning myself at a good angle so that I could catch you in the
act of actually smiling
and laughing with your friends.
The difference between the two styles
is dramatic.
Working in a photojournalistic style is MUCH more difficult for the
photographer but the reward is that your pictures are REAL!
Your choice of camera/ lens
This is a never ending issue with many people who want to know which
camera I use. I work with Nikon only because I feel comfortable with
it's ergonomic compatibility, but the equipment is really never the
issue. I use very bright lenses with open aperture that enables me to
work as much as possible with available light without using flash.
Black & white Vs. Color photography - your thoughts
With today's digital cameras this decision can be taken later on as
conversion from color to B&W has never been easier, and so the
photographer does not have to decide which film he uses. In general I
feel that Indian weddings call for color images and I prefer to work
in color. Never the less, I often decide to cover the preparations and
the behind the scene in B&W.
Indian wedding photos suffer from excessive use of flash - what's your
take?
Sadly this is very true as most of the Indian photographers working in
the market today only see themselves as a tool to make sure all the
guests are in the pictures to avoid any embarrassments. This is
unfortunate as they do not make a difference between weddings and even
if they work with off-camera flash, their lighting is always the same,
many times very unflattering.

I hardly ever use flash at all and will always prefer to work with the
available light using very open lenses that enable me to work in low
light conditions. This enables me to capture the true feel of the
event and the images look very close to what people actually
experienced. As I work without a flash, it is easier for people to
ignore my presence and be more natural, resulting in better images.
Post processing and Album design
I always shoot high quality RAW files that are then converted into DNG
for further processing in Adobe Lightroom. All images are then color
corrected and the final output is a DVD with high resolution JPG
files, and a folder with smaller, low resolution JPGs for web usage.
I do not make albums and rather give a DVD with all the images (minus
the rejects)
of the shoot and clients retain full 'Home Use Rights' to the images.
This basically means they can use the images for personal,
non-commercial uses. They may make as many prints as they like for
themselves, or to give away as gifts. they may also place low
resolution (72dpi) copies of the images on their personal website for
viewing as long as prints are not offered for sale. This way the
couple is never confronted with any unanticipated expenses after the
wedding is over. My fee is fixed and includes all expenses. No Hidden
costs.
Your favourite wedding photos
The images I love the most are such that can stand on their own
regardless of the specific event or the actual wedding. An image that
tells something and has a value beyond the esthetic, a deeper cultural
statement that reveals a hidden content that is otherwise obscure form
the eye. This kind of image is very hard to get and I find that it
only presents itself when I know where and when to wait for it to
happen.
A wedding photography experience that you wont forget
I was at a reception of a Sikh wedding. The wedding was the day before
and this party was pure fun, no religious ceremony. Guests were having
a good time but there was nothing 'interesting' to shoot. The evening
was not going to pick up more than it had already and at one point
after getting my share of ok images, I decided to leave. I was a
little disappointed of course. This was a large farm house outside of
Delhi and at the gate was a little unexpected crowd. I came closer, on
the way to get my car and realized that an argument was taking place
but it all seemed like a well played show. There was a group of
Hijras, members of what is usually considered in India as 'the third
sex' - neither man nor women. Hijras show up to perform religious
ceremonies at weddings and at the birth of male babies, involving
music, singing, and sexually suggestive dancing. These are intended to
bring good luck and fertility. Although the hijra are most often
uninvited, the host usually pays the hijras a fee. Many fear the
hijras' curse if they are not appeased, bringing bad luck or
infertility, but for the fee they receive, they can bless goodwill and
fortune on to the newly born or the newly wed couple.
One cannot anticipate when or where they will show up so cannot plan
to photograph
them, but I needed pictures of this 'ceremony' for my book and there it
was. I had my camera still on me and I started shooting using the light form the
passing cars and the street lamp. They where acting out, trying to embarrass
me using obscene gestures and profane language but I was so happy I was
simply smiling and taking pictures. the whole event ended peacefully as money
changed hands to everyones relief and I had my pictures.
Advice for to-be-wed couples
A wedding is an important, and an expensive, event and when people pay a lot
of money they are sometimes very nervous and want things to work. Your own
wedding is the day when you are not suppose to worry at all. once everything is
ready to go you should simply relax and let the event play itself in
the best way
possible. From the photographer's point of view, I appreciate the fact that you
try to make me feel comfortable but i prefer that you simply ignore
me. I tell all
the couples as well as the close family members that during the event they
should simply attend to their guests and be happy and not worry about me and
how i work. Pretend I do not exist and the pictures will come out the best.