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Seshu is successful wedding photographer based in Central Connecticut. In an interview with WeddingSutra, he describes his unique job, his memorable experiences with wedding photography, his photography style and offers advice to to-be-weds.

 

Seshu, the photographer
I am a wedding and portrait photographer based in central Connecticut, which is ideally located between Boston and New York. I was born in New York, lived in India for 12 years and then completed high school in California.
 


College degrees in history and courses in anthropology and languages such as Japanese laid the foundation for a graduate degree in journalism from Indiana University. I photographed for my high school yearbook, but it wasn't until and during a trip to Japan as an exchange student that I was reunited with my metier. I studied documentary photography, interned at places like MSNBC.com and photographed for newspapers and magazines as a freelancer. I have been a photographer since 1996 and nothing gets me more jazzed than the process of making meaningful and beautiful images for my clients.

 

What cities do you work in?
While I am based in New England, I have clients across the US. I also invite brides & grooms to contact me to photograph their destination weddings. Whether it is an island wedding or an exotic location, say a palace in Udaipur, I'll go really anywhere in the world and make myself at home.

 

Your Photography Style
My approach to photography can be best described as a balancing act between fine art and the documentary aesthetic. It is mostly unobtrusive and real, with little or no direction from me in terms of how to act or what to do. Photographing weddings is very fluid process for me. Because Indian weddings are unscripted celebrations, I also let things evolve rather than force or guide my clients to follow a certain scenario. If they are having fun and enjoying the moment and I am left to do what I have to do, I capture my best images. There is always time for formal, posed, portraiture which I also love to do. But there is nothing better to get my creative juices flowing than the act of simply immersing myself in a scene and capturing the interactions and relationships of my clients with their friends and family. My personal mantra, and I believe this best defines me, has been to create images that are elegant, memorable and real.

 

Your choice of camera/ lens
I have always shot with Nikon's professional line of digital cameras and fast lenses. I must also mention the flash system I use - they are a combination of Nikon's SB800s and two Sunpak 120j strobes, usually gelled and inter-connected wirelessly using Pocket Wizards. Off camera flash absolutely rules!

 

Black & white Vs. Color photography - your thoughts
Some images lend themselves to being in color, some in black & white or sepia, or however I think would best represent the emotion displayed within the image. I have also started to enhance my images using textures and other graphic elements when appropriate.

 

Indian wedding photos suffer from excessive use of flash - what's your take?
Indeed without light, there is no photography. Should there absolutely be a need to use flash, it needs to be handled efficiently and elegantly. Most people strap their flash on the top of their camera and point it right at their poor clients. On camera flash tends to look cruddy, rarely flattering one's clients and causing people to have the dreaded "red eye" or that blanched look. I use my strobes by bouncing the light off of ceilings, walls and even floors! When possible, I mix the ambient light with my strobe output so that the images I produce mirror the exact look and feel of a setting as experienced by my clients and their guests. And where space and time allow it, I do set up strobe lights off camera, that are wirelessly triggered. Creating memorable images is a lot of work, but this is where hiring a professional makes more sense.

 

Post processing and Album design
I shoot only in RAW mode and convert the images to JPGs after color correcting them. I use a few choice Photoshop actions to punch up the colors and sharpen them for final output. With programs like Photoshop or Painter one can go to town and manipulate one's images to such an extent that they become more fantasy than reality. My goal, especially with color images, is to accurately render my client's skin tones.

 

As far as album design goes, each of my clients receive a unique album based on what I have experienced and captured on their wedding day. The wedding album is the ultimate expression of my client's wedding day. It is their first family heirloom so I take a good deal of time in preparing the files and working on the design. If there is a particular color that the bride has chosen for her decorations, I'll try and use that in some way as part of her album as well. All of my albums are hand-made using the very best materials. The pages in the album have a special protective coating and depending on the size of the albums, some are also delivered with a display case that has the couple's portrait on it or some detail from their wedding that makes it very special.

 

Your favourite wedding photos
My favorite wedding photos will always be those that are an honest representation of my client's thoughts and feelings for each other and their guests on their special day, are beautifully lit and exquisitely composed.

 

 

A wedding photography experience that you wont forget
I like to tell people I rediscovered my sense of rhythm at my first Gujarathi wedding. Out in California, several years ago now, I was in the mix of things during the Dandiya Raas event of one particular couple. With my eye glued to the viewfinder of my camera, I could see these colorful red, yellow, green, purple sticks flying in the air every which way. Even without music, I tend to move around a lot. But as the dancers moved to their left, this time around I had somehow anchored myself to one particular spot and didn't go with the flow. Suddenly sticks came crashing into my camera and on my head. I hadn't seen the dancers and they hadn't seen me. Thankfully, no one was hurt nor was my camera damaged.

 

Advice for to-be-wed couples
It's not very often I get to visit a venue before the couple's wedding day. When I do arrive to photograph an event, I almost always check to see what the lighting is going to be like during the event. I make a note of where the light is coming from; windows, doors, high or low ceilings, lighting fixtures with halogen, fluorescent or tungsten bulbs. I prefer venues with large windows that allow soft, beautiful, natural light. When such a venue doesn't present itself, I just make do with what I have and set up lights in the absence of anything useful. From a color stand point, tungsten lights are orange in tone and so would yield images that have a warm feeling to them. Standard fluorescent tube lights emit a greenish cast that can be altered in post production but are also challenging in other ways. Some wedding venues have such high ceilings that it really doesn't matter what kind of lights are up there because I will most likely use my off camera strobes or a combination of strobes and ambient light to capture the event.

 

Decor, makeup and clothing are really my client's domain and I feel they should choose those based on their personal taste and budget rather than what someone tells them would look great in pictures. Today's brides and grooms are very fashion-savvy so I am very confident that they will look and feel great.

Seshu Photography
www.seshu.net  888-775-4866

Visit my wedding & portraiture blog,
SAFFRON at– www.seshu.net/saffron 

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